(ES) El reconocido maestro y coreógrafo argentino Mario Galizzi será el nuevo Director del Ballet Estable del Teatro Colón, iniciando su tercera etapa al frente de la Compañía.
(ES) El teatro argentino se lleva el Premio a la Mejor Iniciativa de Difusión de la Lírica, mientras que el coliseo colombiano, en coproducción con la Ópera de Colombia, es premiado con la mejor Nueva Producción Latinoamericana.
On December 14th and 15th, the Ópera Latinoamérica Annual Conference was held at Teatro Colón in Buenos Aires, along with the first face-to-face meeting of Argentinian opera houses. More than 45 lyrical organizations gathered in two days of work that installed new guidelines for the sustainability of the lyrical scene management
Internationalization, digitization, an artistic program of excellence, the participation of civil society, the recovery of normality and the commitment to security in the face of the pandemic, are the main lines of the new strategic plan for the Theater approved by the Board of Trustees. Helena Revoredo de Gut, ratified as
Inaugurated in 1891, the Teatro del Libertador de Córdoba was built with the aim of giving the city its own stable cultural hall. Recently, it recovered its former splendor after a remodeling and enhancement of its architecture and tradition. The general director of the institution, Hadrian Ávila, anticipates that "now
The singers Carlos Álvarez and Xabier Anduaga; the stage directors Emilio Sagi and Robert Carsen, the conductor Riccardo Frizza, the Zarzuela Artistic and Educational Project of the Teatro de la Zarzuela or the production Turandot directed by Franc Aleu at the Gran Teatre del Liceu were awarded in an emotional
At the gala, which will be held in person at the Teatro de la Zarzuela, and which will be the first reunion of the entire Spanish lyrical sector since March 2019, the stage director Emilio Sagi will be recognized for a career For the season interrupted by the pandemic, Ópera XXI
(ES) El icónico Gran Teatre del Liceu de Barcelona es la principal casa de ópera de la ciudad.
Networking, the constant spirit of innovation and the urgent need to diversify funding sources are just some of the guidelines worked out in the last meeting with theaters and professionals of the lyrical arts from Latin America and Spain. Held between June 29 and July 2, this second edition had
As part of the 23rd Festival Amazonas Opera, the discussion group was organized and webinar "The opera today in Brazil and the world." The instance had the participation of our Executive Director, Alejandra Martí, who spoke about the current state of the lyrical scene and the challenges that lie ahead