Sorry, this entry is only available in European Spanish.
A successful Ibero-American Meeting of OLA & Ópera XXI Theatres concluded after nine days of talks, technical, marketing and communications forums During the OLA Assembly, Carmen Gloria Larenas, director of Municipal of Santiago theatre was appointed part of the board of directors of OLA. And it was announced that the 2021
Sorry, this entry is only available in European Spanish.
Sorry, this entry is only available in European Spanish.
Sorry, this entry is only available in European Spanish.
Priority digital programming includes seminar, classes, lectures, cinema shows, graphic arts exhibition and artistic presentation. In 2020, a period in which the beginning of the celebration of the 50th anniversary of the Fundación Clóvis Salgado is combined with new challenges and achievements in the digital universe, the tradition of encounters with
The measure would mean a reduction of 700 million pesos for the National Symphonic Orchestra of Chile and the Chilean National Ballet, the two groups with the longest trajectory of classical music and dance in the country. The government's decision compromises the continuity and viability of the casts that have
The Beijing Forum for the Performing Arts connects 40 international institutions and more than 50 local groups in China in order to consolidate an alliance to promote the performing arts in the world. Consolidating its strong presence worldwide, the Teatro Colón, through its General Director María Victoria Alcaraz, assumes the
The Guanajuato Cultural Forum, through the Teatro del Bicentenario Roberto Plasencia Saldaña, presented on Saturday, September 19, A song for hope, a concert dedicated to the heroines and heroes of the fight against COVID 19, for their efforts to preserve health and well-being in favor of Guanajuato. After 191 days since
In March of this year, the Gran Teatro Nacional de Perú inaugurated the digital platform GTN en Vivo and, in parallel, developed the "Audience Study No. 1" whose objective is to know the profiles of these audiences related to the digital consumption of scenic products. The results attract attention, from