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It is one of the most demanding and fundamental titles in the operatic repertoire of the twentieth century, a work that not any theater is encouraged to represent and that until now remained unpublished in Latin American stages. But the moment finally arrived, and Die Soldaten, from the German composer
Within the framework of the 160 years of its inauguration, the legendary Solís Theater in Montevideo will develop an attractive lyric season, which will take place between August and October. The cycle will begin in mid-August with one of Donizetti's masterpieces: Don Pasquale, which will be offered in three functions
It is considered one of the best operas in history, so it is not surprising its frequent appearance in the programming of the lyric theaters around the world. But it does not always happen in our region that three stages present it in less than a month, as has happened
After almost three decades of absence from its stage and closing its opera season, one of the great masterpieces created by Wagner is back at the Teatro Colón in Buenos Aires: the “sacred festival” Parsifal, in a new staging that marks the return of the Argentine régisseur Marcelo Lombardero (in
They have a loyal and enthusiastic audience, and every year they conquer new followers. Thanks to the good response of the audience and the quality of their shows that have been increasingly entrenched, the lyrical seasons of Buenos Aires Lyric and Juventus Lyrica have become another of the operatic traditions
They are always among the most beloved and popular works of the Italian repertoire, and it is undoubtedly the most famous "double program" in the history of opera. In July we highlight its programming at the Teatro Colón in Buenos Aires, and now it is the turn of the Municipal
Among the biggest attractions of the 2016 season of the Teatro Colón in Buenos Aires, which was announced on Thursday, October 8, the general and artistic director of the legendary Argentine stage - and also who presides over the directive of Opera Latin America - Darío Lopérfido, without a doubt
In spite of the enormous musical and technical difficulties demanded by their assemblies, the works of the German author are always present in one of the annual programs of our region. While in Buenos Aires the operatic public looks forward to the new production of Parsifal that in December will
Chilean tenor José Azócar, who in the last year has already played the Moor of Venice at the Municipal de Santiago and the Argentino de La Plata, stars again Otello, this time at the Teatro El Círculo de Rosario, where the Verdiana masterpiece returns after 11 years of absence. With